LITERATURE, BODY AND SORORITY IN COLECTIVA POÉTICA PATAGÓNICA

Abstract

This article analyzes the controversies surrounding the art of the present and its relationship with the Colectiva Feminista Patagónica. The discussion of ideas around the postautonomy of art and the determination that the technique has on the new aesthetic formations are spatially emphasized. Following a series of authors, the analysis will focus on some features of art today such as gestures, the body, the perfomative character and the hybridity of generic forms. With this frame of reference, the poetic and political experience of the Colectiva Poética Patagónica that emerged at the beginning of 2019 will be recovered. This Colectiva emergence seeks to sustain itself in the ever-present question linked to where the political reach and the ideological horizon of art take place. How does the assumption of sisterhood and collective agency of feminist voices intervene in the public sphere to account for the binary and violent forms of patriarchy, taking poetry as its centrality? How tradition and the literate and political past operate in an expression that is presented as imminent in light of changes in public sensitivity.