EL ROMPECABEZAS PIGLIANO. RICARDO PIGLIA COMO ESCRITOR, CRÍTICO Y EDITOR

Abstract

The literature of Ricardo Piglia achieved coherence in the time, because of to support a style, a way of build each novel or story. Since La invasión to El camino de Ida, the engine of his text has two cores going in the same direction: critic and fiction. We can find a second layer to analyze his books, the autobiographic in contraposition to the police novel. His fiction books are construyed them like a puzzle that going to the diary and the letter to the voice of who is the narrator in the police literature. The different forms superimpose itself to leave a totality. Piglia configures even the fiction like an essay as a writter and critic separated both in Emilio Renzi who is not only the parody of her voice but also her own style. We can see a third function of Piglia of his texts: the editor. The function configures to produce his last non-fiction books in base to a personal selection, product of many conversations (the initial form to him). In this work we pretend analyze a selection (Prisión perpetua, some stories of La invasión, Crítica y ficción and La forma inicial) of his literature to explain that in her own words will be «the born of the modern literature» across to the separations of the three figures: the author, the critic and the editor.